Sterling Sessions™
I rehearse you.
Teleprompter, timer, unlimited retakes. I play the audience and ask the questions you're hoping nobody asks.
Explore Sessions →I'm Sterling. SpeakerRealm finds your stages — here I rehearse you against the real brief, record what you deliver, and score it on eight measured components, then tell you the truth about it, including the parts you won't like.
Your first score is free. Nothing is published, sent or charged without you saying so.
Most coaching tools hand you a grade and keep the arithmetic. I show you every component, what it was computed from, and which ones I couldn't measure on this take. You can argue with a number you can see.
Get my score →A missing component is reported as missing and left out of the weighting. I will never fill a gap with an average and call it your score.
Teleprompter, timer, unlimited retakes. I play the audience and ask the questions you're hoping nobody asks.
Explore Sessions →Your take comes back mastered to broadcast loudness — −14 LUFS under −1 dBTP — with captions cut from your own word timings.
Explore Studio →If the right stage doesn't exist, we make it. Programme, speakers, registration, promotion — drafted by me, approved by you.
Explore Events →Every take measured the same way, so the line across your last ten is a real trend and not a mood.
View your progress →One talk becomes vertical clips cut on your sentence boundaries — never mid-word, because I have the word timings.
Explore AfterStage →An encouraging number is worth nothing to you in a room. Here is exactly what I do and don't do, so you know what your score is made of.
Every number on your score is computed by deterministic code — the same input gives the same output, every time. I read the numbers and tell you what they mean. I never produce one.
Some things I can only estimate. "Monotone likelihood" is one of them, and it's labelled as a likelihood everywhere it appears — not dressed up as a measurement.
I report audience-facing gaze, not "eye contact" — because a webcam gives me head orientation, and calling that eye tracking would be a claim I can't stand behind.
Camera off, audio too short, a component I couldn't compute — it comes back marked unavailable and drops out of the weighting. No average quietly filling the hole.
I'd rather hand you a 61 you can act on than an 88 that was being kind. You're going to stand in front of those people either way.Sterling
If the right stage doesn't exist, I help you build it — from the first idea to the final replay. I draft the programme, find the speakers, write the promotion. You approve every piece of it.